fiction that lingers long after the flash
Fractured Lit publishes flash fiction with emotional resonance, with characters who come to life through their actions and responses to the world around them. We’re searching for flash that investigates the mysteries of being human; the sorrow and the joy of connecting to the diverse population.
Fractured Lit is open year-round and is available to all writers. We currently publish microfiction (up to 400 words) and flash fiction (401-1,000 words), with new writing featured on Mondays and Thursdays. We also offer contests throughout the year.
By submitting to Fractured Lit, submitters agree to receive correspondence about future stories and submission opportunities from Fractured Lit. You can unsubscribe at any time.
**If you haven't already, please verify your email address with Submittable for more consistent communication.**
Unless specifically requested, we do not accept AI-generated work.
Our submitters know a good opportunity when they see it, so we’re excited to once again host the Fractured Lit Flash Fiction OPEN from May 11 to July 13, 2025.
What we love about this contest is that there are no themes or restrictions on style. We want your most innovative and resonant flash and microfictions. Send us those pieces that lift us up, that take us down, that make us feel alive. Write that story you have been obsessing over, that has you by the throat or the heart, that needs to find its readers. We love stories that reveal their characters in unique and soulful ways, that put us into the middle of the action, that make us feel something more than our usual realities. Take us through realism, fabulism, and everything in-between.
Fractured Lit publishes flash fiction with emotional resonance, with characters who come to life through their actions and responses to the world around them. We’re searching for flash that investigates the mysteries of being human, with the sorrow, and the joy, of connecting to a diverse population.
We're thrilled to partner with Guest Judge Gwen E. Kirby, who will choose one grand-prize winner and fifteen finalists from a shortlist of forty stories curated by our editors. The first-place winner will receive $2,000 and publication, while the fifteen finalists will receive $100 and publication. All entries will be considered for general publication.
Good luck and happy writing!
Gwen E. Kirby is the author of the collection Shit Cassandra Saw. Her stories appear in One Story, Tin House, Guernica, Mississippi Review, SmokeLong Quarterly, and elsewhere. Guest editor Aimee Bender selected her story “Shit Cassandra Saw But Didn't Tell the Trojans Because at That Point Fuck Them Anyway” for Best Small Fictions 2018. It also appeared in the Wigleaf Top 50 and was anthologized in Flash Fiction America from Norton. She has an MFA from Johns Hopkins, a PhD from the University of Cincinnati, and teaches creative writing and literature at Carleton College.
Here’s what Gwen looks for in a flash fiction story:
My favorite thing to find in a story is the thing I am not expecting, and I think it's doubly true with flash! I love to read a flash story and think, wow, that could only be pulled off in 1,000 words. That conceit, that voice, that moment, it's too big and wild and bright to last a moment longer, it had to come to life on flash's knife's edge. So I am looking for stories that surprise me and that use the form to its limits and to its strengths.
GUIDELINES:
- Your $20 reading fee allows up to two stories of 1,000 words or fewer each per entry—if submitting two stories, please put them both in a SINGLE document.
- Writers from historically marginalized groups may submit for free until we reach a cap of 25 submissions in this category. No additional fee waivers will be granted for this contest.
- We allow multiple submissions—each set of two flash/micro stories requires a separate submission accompanied by a reading fee.
- Please send flash and microfiction only—1,000 word count maximum per story.
- We only consider unpublished work for contests—we do not review reprints, including self-published work (even on blogs and social media). Reprints will be automatically disqualified.
- Simultaneous submissions are okay—please notify us and withdraw your entry if you find another home for your writing.
- All entries will also be considered for publication in Fractured Lit.
- Double-space your submission and use Times New Roman 12 (or larger if needed).
- Please include a brief cover letter with your publication history (if applicable). In the cover letter, please include content warnings as well, to safeguard our reading staff.
- We only read work in English, though some code-switching/meshing is warmly welcomed.
- We do not read anonymous submissions. However, shortlisted stories are sent anonymously to the judge.
- Unless specifically requested, we do not accept AI-generated work. For this contest, AI-generated work will be automatically disqualified.
The deadline for entry is July 13, 2025. We will announce the shortlist within ten to twelve weeks of the contest's close. All writers will be notified when the results are final.
Some Submittable Hot Tips:
- Please be sure to whitelist/add this email address to your contacts, so notifications do not get filtered as spam/junk: notifications@email.submittable.com.
- If you realize you sent the wrong version of your piece: It happens. Please DO NOT withdraw the piece and resubmit. Submittable collects a nonrefundable fee each time. Please DO message us from within the submission to request that we open the entry for editing, which will allow you to fix everything from typos in your cover letter to uploading a new draft. The only time we will not allow a change is if the piece is already under review by a reader.
OPTIONAL EDITORIAL FEEDBACK:
You may choose to receive editorial feedback on your piece. We will provide a global letter discussing the strengths of the writing and the recommended focus for revision. Our aim is to make our comments actionable and encouraging. These letters are written by editors and staff readers of Fractured Lit. Should your story win, no feedback will be offered, and your fee will be refunded.
Our submitters know a good opportunity when they see it, so we’re excited to once again host the Fractured Lit Flash Fiction OPEN from May 11 to July 13, 2025.
What we love about this contest is that there are no themes or restrictions on style. We want your most innovative and resonant flash and microfictions. Send us those pieces that lift us up, that take us down, that make us feel alive. Write that story you have been obsessing over, that has you by the throat or the heart, that needs to find its readers. We love stories that reveal their characters in unique and soulful ways, that put us into the middle of the action, that make us feel something more than our usual realities. Take us through realism, fabulism, and everything in-between.
Fractured Lit publishes flash fiction with emotional resonance, with characters who come to life through their actions and responses to the world around them. We’re searching for flash that investigates the mysteries of being human, with the sorrow, and the joy, of connecting to a diverse population.
We're thrilled to partner with Guest Judge Gwen E. Kirby, who will choose one grand-prize winner and fifteen finalists from a shortlist of forty stories curated by our editors. The first-place winner will receive $2,000 and publication, while the fifteen finalists will receive $100 and publication. All entries will be considered for general publication.
Good luck and happy writing!
Gwen E. Kirby is the author of the collection Shit Cassandra Saw. Her stories appear in One Story, Tin House, Guernica, Mississippi Review, SmokeLong Quarterly, and elsewhere. Guest editor Aimee Bender selected her story “Shit Cassandra Saw But Didn't Tell the Trojans Because at That Point Fuck Them Anyway” for Best Small Fictions 2018. It also appeared in the Wigleaf Top 50 and was anthologized in Flash Fiction America from Norton. She has an MFA from Johns Hopkins, a PhD from the University of Cincinnati, and teaches creative writing and literature at Carleton College.
Here’s what Gwen looks for in a flash fiction story:
My favorite thing to find in a story is the thing I am not expecting, and I think it's doubly true with flash! I love to read a flash story and think, wow, that could only be pulled off in 1,000 words. That conceit, that voice, that moment, it's too big and wild and bright to last a moment longer, it had to come to life on flash's knife's edge. So I am looking for stories that surprise me and that use the form to its limits and to its strengths.
GUIDELINES:
- Your $20 reading fee allows up to two stories of 1,000 words or fewer each per entry—if submitting two stories, please put them both in a SINGLE document.
- Writers from historically marginalized groups may submit for free until we reach a cap of 25 submissions in this category. No additional fee waivers will be granted for this contest.
- We allow multiple submissions—each set of two flash/micro stories requires a separate submission accompanied by a reading fee.
- Please send flash and microfiction only—1,000 word count maximum per story.
- We only consider unpublished work for contests—we do not review reprints, including self-published work (even on blogs and social media). Reprints will be automatically disqualified.
- Simultaneous submissions are okay—please notify us and withdraw your entry if you find another home for your writing.
- All entries will also be considered for publication in Fractured Lit.
- Double-space your submission and use Times New Roman 12 (or larger if needed).
- Please include a brief cover letter with your publication history (if applicable). In the cover letter, please include content warnings as well, to safeguard our reading staff.
- We only read work in English, though some code-switching/meshing is warmly welcomed.
- We do not read anonymous submissions. However, shortlisted stories are sent anonymously to the judge.
- Unless specifically requested, we do not accept AI-generated work. For this contest, AI-generated work will be automatically disqualified.
The deadline for entry is July 13, 2025. We will announce the shortlist within ten to twelve weeks of the contest's close. All writers will be notified when the results are final.
Some Submittable Hot Tips:
- Please be sure to whitelist/add this email address to your contacts, so notifications do not get filtered as spam/junk: notifications@email.submittable.com.
- If you realize you sent the wrong version of your piece: It happens. Please DO NOT withdraw the piece and resubmit. Submittable collects a nonrefundable fee each time. Please DO message us from within the submission to request that we open the entry for editing, which will allow you to fix everything from typos in your cover letter to uploading a new draft. The only time we will not allow a change is if the piece is already under review by a reader.
Join us in celebrating the publication of our first chapbook prize winner. The winner, Steven Sherrill, will read from his chapbook, You Go Home, published by Fractured Lit in early June. We can't wait for you to hear these funny, madcap, and memorable flash and microfiction pieces that create an entertaining whole that you'll want to keep near for those days that just don't go right.
We're excited to welcome the prolific Sherrie Flick and our former associate editor and debut author Avitus B. Carle to also read at this event and celebrate the publication of Sherrill's winning chapbook!
Thursday, June 12, 2025, at 4:30 p.m. PST / 7:30 p.m. EST on Zoom
After submitting/signing up to participate, you will receive email confirmation with the zoom link.
Steven Sherrill is not, absolutely not, a traditional academic, nor a scholar. But Steven Sherrill has been making trouble with words since 8th grade, when he was suspended from school for two weeks for a story he wrote. He dropped out of school in the 10th grade, ricocheted around the southern US for years, eventually earning a Welding Diploma from a community college, which led circuitously to an MFA in Poetry from the Iowa Writers’ Workshop, and as of recently, Professor Emeritus of English and Integrative Arts at Penn State University, with five novels, a book of poems, and a memoir in the world. His first novel, The Minotaur Takes a Cigarette Break, is translated into 8 languages and was released as an audiobook. His second novel, Visits From the Drowned Girl, published by Random House (and nominated by them for the Pulitzer Prize), US and Canongate, UK was released in June 2004. The Locktender’s House, novel #3, was released by Random House in Spring 2008. In November 2010, CW Books released the poetry collection, Ersatz Anatomy. Louisiana State University Press: Yellow Shoe Fiction Series released the novel JOY, PA, in March 2015. The Minotaur Takes His Own Sweet Time, was published in the fall of 2016, and lauded by Alan Gurganus in The New York Times Book Review. Motorcycles, Minotaurs, & Banjos, the memoir, is a book about twenty-one days and sixty years. Now, with retirement shoving hard from behind, there are paintings underway in the studio, sonic mayhem all over the house, and always a novel in the works.
Sherrie Flick is the author of three story collections:I Have Not Considered Consequences, Thank Your Lucky Stars, and Whiskey, Etc., all published by Autumn House Press. Her novel, Reconsidering Happiness, and her debut essay collection, Homing: Instincts of a Rustbelt Feminist, are both published by University of Nebraska Press. She is co-editor for the Norton anthology Flash Fiction America, served as series editor for The Best Small Fictions 2018, and is a senior editor at SmokeLongQuarterly. She is the 2025 McGee Distinguished Professor in Creative Writing at Davidson College.
Avitus B(uckhaulter) Carle lives and writes outside of Philadelphia, Pennsylvania. Her debut flash fiction collection, These Worn Bodies, was the winner of the 2023 Moon City Press Short Fiction Award. Her short fiction and nonfiction have appeared in Fractured Lit., X-R-A-Y Litmag, The Commuter (Electric Lit.), The Rumpus, Waxwing, JMWW, and Shondaland, among others.
Fractured Lit publishes micro and flash fiction from writers of any background or experience. Both Micro and Flash categories are open year round and we do not charge any submission fees. We accept simultaneous submissions but ask that you inform us immediately and withdraw your work if your story is accepted elsewhere. We pay our authors $50 for original micro fiction and $75 for original flash fiction.
Micro fiction for Fractured Lit is 400 words or less.
Flash fiction is 401-1,000 words.
We will also consider previously published fiction, as long as the writer retains the rights or second-publication rights can be obtained. We do not pay for reprints.
Writers may submit up to two stories in the same document. Please wait 1 month after our initial reply before submitting again.
Cover letters are optional, but it's nice to know who is submitting to us. Please refrain from describing your stories. The work needs to speak for itself. Including the title and word count of each story is helpful for more efficient consideration of your work. Please include a brief third-person biography statement.
Please allow us up to two months to inform you if we have accepted your work for publication. You will usually hear from us much sooner.
We consider submissions sent via Submittable. We are not open to email submissions and are not open to submissions sent via post.
Fractured Lit holds first serial publication rights for three months after publication. Authors agree not to publish, nor authorize or permit the publication of, any part of the material for three months following Fractured Lit’s first publication. For reprints, we ask for acknowledgment of its publication in Fractured Lit first.
OPTIONAL EDITORIAL FEEDBACK:
You may choose to receive editorial feedback on your piece. We will provide a global letter discussing the strengths of the writing and the recommended focus for revision. Our aim is to make our comments actionable and encouraging. These letters are written by editors and staff readers of Fractured Lit.
Fractured Lit publishes micro and flash fiction from writers of any background or experience. Both Micro and Flash categories are open year round and we do not charge any submission fees. We accept simultaneous submissions but ask that you inform us immediately and withdraw your work if your story is accepted elsewhere. We pay our authors $50 for original micro fiction and $75 for original flash fiction.
Micro fiction for Fractured Lit is 400 words or less.
Flash fiction is 401-1,000 words.
We will also consider previously published fiction, as long as the writer retains the rights or second-publication rights can be obtained. We do not pay for reprints.
Writers may submit up to two stories in the same document. Please wait 1 month after our initial reply before submitting again.
Cover letters are optional, but it's nice to know who is submitting to us. Please refrain from describing your stories. The work needs to speak for itself. Including the title and word count of each story is helpful for more efficient consideration of your work. Please include a brief third-person biography statement.
Please allow us up to two months to inform you if we have accepted your work for publication. You will usually hear from us much sooner.
We consider submissions sent via Submittable. We are not open to email submissions and are not open to submissions sent via post.
Fractured Lit holds first serial publication rights for three months after publication. Authors agree not to publish, nor authorize or permit the publication of, any part of the material for three months following Fractured Lit’s first publication. For reprints, we ask for acknowledgment of its publication in Fractured Lit first.
OPTIONAL EDITORIAL FEEDBACK:
You may choose to receive editorial feedback on your piece. We will provide a global letter discussing the strengths of the writing and the recommended focus for revision. Our aim is to make our comments actionable and encouraging. These letters are written by editors and staff readers of Fractured Lit.
Fractured Lit is committed to providing a platform to diverse, emerging voices. We are now offering an expedited reading category explicitly for marginalized or underrepresented writers. Submissions to this category will receive a response in three weeks or fewer.
All submissions are considered for publication at the payment rates below based on the appropriate word counts.
Please see the guidelines below, or contact us at contact [at] fracturedlit.com with any questions. This form is for marginalized or underrepresented writers only.
Black Lives Matter. Black Voices Matter.
Fractured Lit publishes micro and flash fiction from writers of any background or experience. Both Micro and Flash categories are open year round and we do not charge any submission fees. We accept simultaneous submissions but ask that you inform us immediately and withdraw your work if your story is accepted elsewhere. We pay our authors $50 for original micro fiction and $75 for original flash fiction.
Micro fiction for Fractured Lit is 400 words or less.
Flash fiction is 401-1,000 words.
We will also consider previously published fiction, as long as the writer retains the rights or second-publication rights can be obtained. We do not pay for reprints.
Writers may submit up to two stories in the same document. Please wait 1 month after our initial reply before submitting again.
Cover letters are optional, but it's nice to know who is submitting to us. Please refrain from describing your stories. The work needs to speak for itself. Including the title and word count of each story is helpful for more efficient consideration of your work. Please include a brief third-person biography statement.
We consider submissions sent via Submittable. We are not open to email submissions and are not open to submissions sent via post.
Fractured Lit holds first serial publication rights for three months after publication. Authors agree not to publish, nor authorize or permit the publication of, any part of the material for three months following Fractured Lit’s first publication. For reprints, we ask for acknowledgment of its publication in Fractured Lit first.
Fractured Lit publishes micro and flash fiction from writers of any background or experience. Both Micro and Flash categories are open year round and we do not charge any submission fees. We accept simultaneous submissions but ask that you inform us immediately and withdraw your work if your story is accepted elsewhere. We pay our $75 for original micro series.
Micro fiction series for Fractured Lit should include at least 3 micros of 400 words or less with a total word count of 1,600 or less words. All of the pieces must be unpublished in order to be considered for payment.
We will also consider previously published micro fiction series, as long as the writer retains the rights or second-publication rights can be obtained. We do not pay for reprints.
Writers may submit up to 1 micro series in the same document. Please wait 1 month after our initial reply before submitting again.
Cover letters are optional, but it's nice to know who is submitting to us. Please refrain from describing your stories. The work needs to speak for itself. Including the title and word count of each story is helpful for more efficient consideration of your work. Please include a brief third-person biography statement.
Please allow us up to two months to inform you if we have accepted your work for publication. You will usually hear from us much sooner.
We consider submissions sent via Submittable. We are not open to email submissions and are not open to submissions sent via post.
Fractured Lit holds first serial publication rights for three months after publication. Authors agree not to publish, nor authorize or permit the publication of, any part of the material for three months following Fractured Lit’s first publication. For reprints, we ask for acknowledgment of its publication in Fractured Lit first.
OPTIONAL EDITORIAL FEEDBACK:
You may choose to receive editorial feedback on your piece. We will provide a global letter discussing the strengths of the writing and the recommended focus for revision. Our aim is to make our comments actionable and encouraging. These letters are written by editors and staff readers of Fractured Lit.
Fractured Lit would love the chance to help your formerly published stories reach a larger audience! We know how heartbreaking it can be to publish a story and then find out that the journal is no longer in existence. We also know that having a story placed in a print journal is exciting, but these stories often have smaller readerships. We're now accepting formerly published stories that if published online are at least 2 years old or from any time frame from those published in print. While we don't offer payment for reprinted stories, we can promise a larger reading audience and our full promotion of these stories through our website and through our social media channels! Come join the Fractured lit publishing family!
Micro fiction for Fractured Lit is 400 words or less.
Flash fiction is 401-1,000 words.
Writers may submit up to two stories in the same document. Please wait 1 month after our initial reply before submitting again.
Cover letters are optional, but it's nice to know who is submitting to us. Please refrain from describing your stories. The work needs to speak for itself. Including the title and word count of each story is helpful for more efficient consideration of your work. Please include a brief third-person biography statement. You must give credit to the journals(s) that previously published these pieces for our consideration.
Please allow us up to two months to inform you if we have accepted your work for publication. You will usually hear from us much sooner.
We consider submissions sent via Submittable. We are not open to email submissions and are not open to submissions sent via post.
Fractured Lit holds first serial publication rights for three months after publication. Authors agree not to publish, nor authorize or permit the publication of, any part of the material for three months following Fractured Lit’s first publication. For reprints, we ask for acknowledgment of its publication in Fractured Lit first.
OPTIONAL EDITORIAL FEEDBACK:
You may choose to receive editorial feedback on your piece. We will provide a global letter discussing the strengths of the writing and the recommended focus for revision. Our aim is to make our comments actionable and encouraging. These letters are written by editors and staff readers of Fractured Lit.
Fractured Lit is looking for flash fiction submission Readers! If you enjoy literary flash fiction with emotional resonance, characters we care about, that investigate the mysteries of being human, the sorrow, and the joy of connecting to the diverse population around us we encourage you to apply! We encourage readers who can commit to reading three to four hours each week working remotely and at your own pace. We are particularly interested in bringing on readers who are familiar with the flash fiction form and come from diverse backgrounds and experiences!
This position begins on a rolling basis and involves a commitment of six months. PLEASE NOTE: this is an unpaid, volunteer opportunity. If interested, please send a cover letter, resume/CV, and at least one writing sample. This is a rolling call and will be open until we fill the available positions. Fractured Lit is a flash fiction centered place for all writers of any background and experience. Help us find the stories we knew we’ve needed all along. We look forward to hearing from you!