fiction that lingers long after the flash
Fractured Lit publishes flash fiction with emotional resonance, with characters who come to life through their actions and responses to the world around them. We’re searching for flash that investigates the mysteries of being human; the sorrow and the joy of connecting to the diverse population.
Fractured Lit is open year-round and is available to all writers. We currently publish microfiction (up to 400 words) and flash fiction (401-1,000 words), with new writing featured on Mondays and Thursdays. We also offer contests throughout the year.
By submitting to Fractured Lit, submitters agree to receive correspondence about future stories and submission opportunities from Fractured Lit. You can unsubscribe at any time.
**If you haven't already, please verify your email address with Submittable for more consistent communication.**
Unless specifically requested, we do not accept AI-generated work.
Join us in celebrating the publication of our fourth anthology of flash and microfiction. We were honored to work with Guest Judge Morgan Talty on this project, and we want to share these stories with you at our online reading event. Morgan will also share some of his own work as our featured reader, followed by many of the amazing writers published in this collection.
Thursday, October 24, 2024, at 4 p.m. PDT / 7 p.m. EDT on Zoom
The following writers will read their stories published in the anthology:
- Margaret Adams
- Lisa Ferranti
- Elissa Field
- Miriam Gershow
- M. Lea Gray
- Wendy Holmes
- Jim Humes
- Lori Isbell
- Betty Martin
- Sara McKinney
- Danielle Mund
- Chris Negron
- Susan Perabo
Morgan Talty is a citizen of the Penobscot Indian Nation. He is the author most recently of the debut novel Fire Exit. His debut short story collection, Night of the Living Rez, won the PEN/Robert W. Bingham Prize, the American Academy of Arts and Letters Sue Kaufman Prize, the National Book Critics Circle John Leonard Prize, the New England Book Award in Fiction, the National Book Foundation’s 5 Under 35 Honor, and was a finalist for the Barnes & Noble Discover Great New Writers Award, the Andrew Carnegie Medal for Excellence in Fiction, the Mark Twain American Voice in Literature Award, and The Story Prize. His writing has appeared in The Georgia Review, Granta, Shenandoah, TriQuarterly, Narrative, Literary Hub, and elsewhere. Talty is an assistant professor of English in creative writing and Native American and contemporary literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in Creative Writing as well as the Institute of American Indian Arts. He lives in Levant, Maine.
Fractured Lit has always been a place that celebrates the use of writing craft to tell small stories with big impacts. In the return of our Micro Prize, we want to honor stories of 400 words or fewer that tell a complete story and have us marveling at the depth of character and language. We’re looking for microfictions that demand more than one reading, invite us into their small containers, and awe us with the mysteries of being human.
We invite writers to submit to the Fractured Lit Micro Prize from October 01 to December 01. As an added opportunity, writers can also register for a generative workshop with Editor-in-Chief Tommy Dean called “Writing Micros with Urgency and Immediacy” from October 01 to October 31. The class will be held on November 7.
We're thrilled to partner with Guest Judge Deb Olin Unferth, who will choose three prize winners from a shortlist. We're excited to offer the first-place winner of this prize $2,500 and publication, while the second- and third-place place winners will receive publication and $600 and $400, respectively. All entries will be considered for publication.
Want to know what our judge is hoping to read? Deb says,
“I like being surprised—by language, sound, a twist in expectation. Microfiction is about voice expression, about capturing one’s own sound and letting the reader hear it, see it, be moved by it, feel joined to it, feel separation when it’s over.”
Good luck and happy writing!
Deb Olin Unferth is the author of six books, including the novels Barn 8 and Vacation, the memoir Revolution, a finalist for the National Book Critics Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper’s Magazine, The New York Times, The Paris Review, Granta, and McSweeney’s. She has received a Guggenheim Fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, and fellowships from the MacDowell, Yaddo, and Ucross residencies. She’s a professor at the University of Texas at Austin, where she teaches for the Michener Center and the New Writers Project, and she also directs the Pen City Writers, the prison creative writing program at a south Texas penitentiary. Originally from Chicago, she lives in Austin with the philosophy professor Matt Evans.
GUIDELINES:
- Your $20 reading fee allows up to three stories of 400 words or fewer each per entry—if submitting more than one microfiction, please put them all in a SINGLE document.
- We allow multiple submissions—each set of three microfictions requires a separate submission accompanied by a reading fee.
- Writers from historically marginalized groups will be able to submit for free until we reach our cap of 25 free submissions. No additional fee waivers will be granted.
- Please send microfiction only—400 word count maximum per story.
- We only consider unpublished work for contests—we do not review reprints, including self-published work (even on blogs and social media). Reprints will be automatically disqualified.
- Simultaneous submissions are okay—please notify us and withdraw your entry if you find another home for your writing.
- All entries will also be considered for publication in Fractured Lit.
- Double-space your submission and use Times New Roman 12 (or larger if needed).
- Please include a brief cover letter with your publication history (if applicable). In the cover letter, please include content warnings as well, to safeguard our reading staff.
- We only read work in English, though some code-switching/meshing is warmly welcomed.
- We do not read anonymous submissions. However, shortlisted stories are sent anonymously to the judge.
- Unless specifically requested, we do not accept AI-generated work. For this contest, AI-generated work will be automatically disqualified.
The deadline for entry is December 01, 2024. We will announce the shortlist within 12-14 weeks of the contest's close. All writers will be notified when the results are final.
Some Submittable Hot Tips:
- Please be sure to whitelist/add this address to your contacts, so notifications do not get filtered as spam/junk: notifications@email.submittable.com.
- If you realize you sent the wrong version of your piece: It happens. Please DO NOT withdraw the piece and resubmit. Submittable collects a nonrefundable fee each time. Please DO message us from within the submission to request that we open the entry for editing, which will allow you to fix everything from typos in your cover letter to uploading a new draft. The only time we will not allow a change is if the piece is already under review by a reader.
OPTIONAL EDITORIAL FEEDBACK:
You may choose to receive editorial feedback on your piece. We will provide a two-page global letter discussing the strengths of the writing and the recommended focus for revision. Our aim is to make our comments actionable and encouraging. These letters are written by editors and staff readers of Fractured Lit. Should your story win, no feedback will be offered, and your fee will be refunded.
Writing Micros with Urgency and Immediacy
Thursday, November 7, 2024, 7-8:30 p.m. EST
Join us for a 90-minute generative writing session focused on writing microfiction! Fractured Lit is excited to bring this class to our submitters to help them write exciting and fresh micros they can enter into our yearly Micro Prize. Editor-in-Chief Tommy Dean has developed an inspiring and welcoming class where participants can learn craft moves from excellent model texts and write to multifaceted writing prompts. Past students have published stories inspired by Tommy’s prompts in today’s best flash fiction literary magazines.
Microfiction demands that the writer (re)consider every word, every craft move, and every design decision. Writing these stories is a challenge but a fun one! In this class, we’ll focus on stretching our use of writing elements and craft moves to imbue our microfiction with electricity and resonance. Need a jump-start to your writing, want to try writing with extreme brevity, or just want to spend some time writing? We hope you’ll come write with us, so we’re offering this class for the low price of $20 per student! All interested are welcome, regardless of experience.
By the end of this generative workshop, you’ll have gained:
- Knowledge of or new insight on microfiction-specific craft moves you can use in your writing.
- A new reading list of microfiction examples. Plus, in-depth analysis of the craft moves that lead to excellent short-short stories.
- Four to five new prompts to inspire you to create solid beginnings or endings. Students will also be given a PDF copy of the slides, including the prompts, so they can use them in the future.
- Dedicated writing time in an inclusive community of writers where you can feel welcomed and comfortable sharing your work and ideas.
Fractured Lit publishes micro and flash fiction from writers of any background or experience. Both Micro and Flash categories are open year round and we do not charge any submission fees. We accept simultaneous submissions but ask that you inform us immediately and withdraw your work if your story is accepted elsewhere. We pay our authors $50 for original micro fiction and $75 for original flash fiction.
Micro fiction for Fractured Lit is 400 words or less.
Flash fiction is 401-1,000 words.
We will also consider previously published fiction, as long as the writer retains the rights or second-publication rights can be obtained. We do not pay for reprints.
Writers may submit up to two stories in the same document. Please wait 1 month after our initial reply before submitting again.
Cover letters are optional, but it's nice to know who is submitting to us. Please refrain from describing your stories. The work needs to speak for itself. Including the title and word count of each story is helpful for more efficient consideration of your work. Please include a brief third-person biography statement.
Please allow us up to two months to inform you if we have accepted your work for publication. You will usually hear from us much sooner.
We consider submissions sent via Submittable. We are not open to email submissions and are not open to submissions sent via post.
Fractured Lit holds first serial publication rights for three months after publication. Authors agree not to publish, nor authorize or permit the publication of, any part of the material for three months following Fractured Lit’s first publication. For reprints, we ask for acknowledgment of its publication in Fractured Lit first.
OPTIONAL EDITORIAL FEEDBACK:
You may choose to receive editorial feedback on your piece. We will provide a global letter discussing the strengths of the writing and the recommended focus for revision. Our aim is to make our comments actionable and encouraging. These letters are written by editors and staff readers of Fractured Lit.
Fractured Lit publishes micro and flash fiction from writers of any background or experience. Both Micro and Flash categories are open year round and we do not charge any submission fees. We accept simultaneous submissions but ask that you inform us immediately and withdraw your work if your story is accepted elsewhere. We pay our authors $50 for original micro fiction and $75 for original flash fiction.
Micro fiction for Fractured Lit is 400 words or less.
Flash fiction is 401-1,000 words.
We will also consider previously published fiction, as long as the writer retains the rights or second-publication rights can be obtained. We do not pay for reprints.
Writers may submit up to two stories in the same document. Please wait 1 month after our initial reply before submitting again.
Cover letters are optional, but it's nice to know who is submitting to us. Please refrain from describing your stories. The work needs to speak for itself. Including the title and word count of each story is helpful for more efficient consideration of your work. Please include a brief third-person biography statement.
Please allow us up to two months to inform you if we have accepted your work for publication. You will usually hear from us much sooner.
We consider submissions sent via Submittable. We are not open to email submissions and are not open to submissions sent via post.
Fractured Lit holds first serial publication rights for three months after publication. Authors agree not to publish, nor authorize or permit the publication of, any part of the material for three months following Fractured Lit’s first publication. For reprints, we ask for acknowledgment of its publication in Fractured Lit first.
OPTIONAL EDITORIAL FEEDBACK:
You may choose to receive editorial feedback on your piece. We will provide a global letter discussing the strengths of the writing and the recommended focus for revision. Our aim is to make our comments actionable and encouraging. These letters are written by editors and staff readers of Fractured Lit.
Fractured Lit is committed to providing a platform to diverse, emerging voices. We are now offering an expedited reading category explicitly for marginalized or underrepresented writers. Submissions to this category will receive a response in three weeks or fewer.
All submissions are considered for publication at the payment rates below based on the appropriate word counts.
Please see the guidelines below, or contact us at contact [at] fracturedlit.com with any questions. This form is for marginalized or underrepresented writers only.
Black Lives Matter. Black Voices Matter.
Fractured Lit publishes micro and flash fiction from writers of any background or experience. Both Micro and Flash categories are open year round and we do not charge any submission fees. We accept simultaneous submissions but ask that you inform us immediately and withdraw your work if your story is accepted elsewhere. We pay our authors $50 for original micro fiction and $75 for original flash fiction.
Micro fiction for Fractured Lit is 400 words or less.
Flash fiction is 401-1,000 words.
We will also consider previously published fiction, as long as the writer retains the rights or second-publication rights can be obtained. We do not pay for reprints.
Writers may submit up to two stories in the same document. Please wait 1 month after our initial reply before submitting again.
Cover letters are optional, but it's nice to know who is submitting to us. Please refrain from describing your stories. The work needs to speak for itself. Including the title and word count of each story is helpful for more efficient consideration of your work. Please include a brief third-person biography statement.
We consider submissions sent via Submittable. We are not open to email submissions and are not open to submissions sent via post.
Fractured Lit holds first serial publication rights for three months after publication. Authors agree not to publish, nor authorize or permit the publication of, any part of the material for three months following Fractured Lit’s first publication. For reprints, we ask for acknowledgment of its publication in Fractured Lit first.
Fractured Lit publishes micro and flash fiction from writers of any background or experience. Both Micro and Flash categories are open year round and we do not charge any submission fees. We accept simultaneous submissions but ask that you inform us immediately and withdraw your work if your story is accepted elsewhere. We pay our $75 for original micro series.
Micro fiction series for Fractured Lit should include at least 3 micros of 400 words or less with a total word count of 1,600 or less words. All of the pieces must be unpublished in order to be considered for payment.
We will also consider previously published micro fiction series, as long as the writer retains the rights or second-publication rights can be obtained. We do not pay for reprints.
Writers may submit up to 1 micro series in the same document. Please wait 1 month after our initial reply before submitting again.
Cover letters are optional, but it's nice to know who is submitting to us. Please refrain from describing your stories. The work needs to speak for itself. Including the title and word count of each story is helpful for more efficient consideration of your work. Please include a brief third-person biography statement.
Please allow us up to two months to inform you if we have accepted your work for publication. You will usually hear from us much sooner.
We consider submissions sent via Submittable. We are not open to email submissions and are not open to submissions sent via post.
Fractured Lit holds first serial publication rights for three months after publication. Authors agree not to publish, nor authorize or permit the publication of, any part of the material for three months following Fractured Lit’s first publication. For reprints, we ask for acknowledgment of its publication in Fractured Lit first.
OPTIONAL EDITORIAL FEEDBACK:
You may choose to receive editorial feedback on your piece. We will provide a global letter discussing the strengths of the writing and the recommended focus for revision. Our aim is to make our comments actionable and encouraging. These letters are written by editors and staff readers of Fractured Lit.
Fractured Lit would love the chance to help your formerly published stories reach a larger audience! We know how heartbreaking it can be to publish a story and then find out that the journal is no longer in existence. We also know that having a story placed in a print journal is exciting, but these stories often have smaller readerships. We're now accepting formerly published stories that if published online are at least 2 years old or from any time frame from those published in print. While we don't offer payment for reprinted stories, we can promise a larger reading audience and our full promotion of these stories through our website and through our social media channels! Come join the Fractured lit publishing family!
Micro fiction for Fractured Lit is 400 words or less.
Flash fiction is 401-1,000 words.
Writers may submit up to two stories in the same document. Please wait 1 month after our initial reply before submitting again.
Cover letters are optional, but it's nice to know who is submitting to us. Please refrain from describing your stories. The work needs to speak for itself. Including the title and word count of each story is helpful for more efficient consideration of your work. Please include a brief third-person biography statement. You must give credit to the journals(s) that previously published these pieces for our consideration.
Please allow us up to two months to inform you if we have accepted your work for publication. You will usually hear from us much sooner.
We consider submissions sent via Submittable. We are not open to email submissions and are not open to submissions sent via post.
Fractured Lit holds first serial publication rights for three months after publication. Authors agree not to publish, nor authorize or permit the publication of, any part of the material for three months following Fractured Lit’s first publication. For reprints, we ask for acknowledgment of its publication in Fractured Lit first.
OPTIONAL EDITORIAL FEEDBACK:
You may choose to receive editorial feedback on your piece. We will provide a global letter discussing the strengths of the writing and the recommended focus for revision. Our aim is to make our comments actionable and encouraging. These letters are written by editors and staff readers of Fractured Lit.
Fractured Lit is looking for flash fiction submission Readers! If you enjoy literary flash fiction with emotional resonance, characters we care about, that investigate the mysteries of being human, the sorrow, and the joy of connecting to the diverse population around us we encourage you to apply! We encourage readers who can commit to reading three to four hours each week working remotely and at your own pace. We are particularly interested in bringing on readers who are familiar with the flash fiction form and come from diverse backgrounds and experiences!
This position begins on a rolling basis and involves a commitment of six months. PLEASE NOTE: this is an unpaid, volunteer opportunity. If interested, please send a cover letter, resume/CV, and at least one writing sample. This is a rolling call and will be open until we fill the available positions. Fractured Lit is a flash fiction centered place for all writers of any background and experience. Help us find the stories we knew we’ve needed all along. We look forward to hearing from you!